The Thessaloniki-based National Theater of Northern Greece is celebrating an important milestone after hitting the 1-million seat mark in special group bookings.
The Thessaloniki-based National Theater of Northern Greece is celebrating an important milestone after hitting the 1-million seat mark in special group bookings.
Crossing the street to get to the Internationaal Theater Amsterdam (ITA), I saw three students trying to take a selfie with the image of Giannis Angelakas from the poster of “Nekyia” in the background.
“The Last Five Years” returns to the Greek National Opera Alternative Stage (367 Syngrou, nationalopera.gr) after a sold-out run last year.
Greek audiences will have the opportunity to enjoy the world-renowned Swiss mask theater troupe Mummenschanz, as they perform for the first time in Athens at the Pallas Theater (5 Voukourestiou).
“Salo, or the 120 Days of Sodom,” one of the most controversial films of the 20th century, directed by Italian filmmaking legend Pier Paolo Pasolini, is reimagined by prominent and innovative Athenian director Aris Biniaris in a production by the Greek National Opera Alternative Stage (364 Syngrou).
The enchanting musical theater production “STILL! A Statue That Traveled the World” comes to the Olympia Municipal Music Theater (59 Akadimias).
“Rudolf: Leap into Freedom” brings the extraordinary life of Soviet-born Rudolf Nureyev, the 20th century’s greatest male ballet dancer, to the Greek stage at the Hellenic Cosmos Cultural Center (hellenic-cosmos.gr).
The masterly and Tony Award-winning musical “Into the Woods” by leading composer and lyricist Stephen Sondheim and the great writer James Lapine returns to the GNO Alternative Stage, at the Stavros Niarchos Foundation Cultural Center, in the new approved version for piano and percussion.
“The Honeymoon,” a Voreio Pedio cultural association production written and directed by Konstantinos Babilas, is a memorial to the victims of femicides.
“Upset” is perhaps the most apt and mild description of the emotion evoked by Portuguese director Tiago Rodrigues’ play “Catarina and the Beauty of Killing Fascists: in the few days it has been staged in Athens by the Onassis Foundation.
A play by up-and-coming director Christina Matthaiou giving voice to female victims of violence opens at PLYFA, a former textile factory in Athens’ Votanikos district, on Monday, after earning accolades at the Off-Off Festival of the capital’s Epi Kolono theater.
The first Sino-Hellenic International Theater Festival kicked off on Saturday, with Chinese dramas bringing an audio-visual feast to the audiences.
“Yes, We Can’t,” a play by Marilena Katranidou exploring today’s “burnout society,” launched the new season at the Greek National Theater’s Experimental Stage for Emerging Artists.
The performance “Disney100: The Concert” will come to the Christmas Theater (ct.gr) on November 24.
A witch hunt begins in one of Arthur Miller’s most popular plays, “The Crucible,” a captivating parable of power.
“Tea Ceremony,” directed by and in memory of Achim Wieland, returns to Bios (pireos84.bios.gr) for six performances that reveal some of society’s toughest truths.