AUTHORS

EDITORIAL

The pandemic emergency obliged the state to support the market. However, it was an extraordinary situation. And this extraordinary situation must not be used as an excuse to revive a bygone political culture.



EDITORIAL

The pandemic emergency obliged the state to support the market. However, it was an extraordinary situation. And this extraordinary situation must not be used as an excuse to revive a bygone political culture.




COSTAS IORDANIDIS

A major diplomatic game will take place in the middle of June with the face-to-face meetings between the president of the United States, Joe Biden, and his Turkish counterpart, Recep Tayyip Erdogan, and his subsequent meeting with Russian President Vladimir Putin. 



MARIA KATSOUNAKI

It started with mean-spirited comments about the body weight of Elena Paparizou, the winner of the 2005 Eurovision Song Contest for Greece, during her performance at the festival’s latest edition in Rotterdam.


NIKOS KONSTANDARAS

When it is common knowledge that Greece has a demographic problem which constitutes an immediate threat, when we all know that in the past few years the labor market has been upended by the long crisis and the pandemic, one can only wonder why the Interior Ministry would choose to hinder people who are already here and want to be part of the country’s future from applying for residence permits or citizenship.




PASCHOS MANDRAVELIS

The most positive aspect of “Greece+,” the SYRIZA blueprint presented Monday on the use of grants and cheap loans from the European Union recovery fund, is that it actually exists.








NIKOLAS ZOIS

Philippe Auguin is by no means new to the Greek National Opera. Before taking up the invitation to conduct Umberto Giordano’s “Andrea Chénier,” the French maestro had worked with the company on “Tannhäuser” in 2009, “Nabucco” in 2018, “La Sonnambula” in 2019 and “Don Carlos” in 2020.